Voices Carry is the riveting autobiography of one of China's most prominent citizens of the twentieth century. Beginning with his imprisonment during the Cultural Revolution, Ying Ruocheng's narrative takes us through unexpectedly amusing adventures during his incarceration before flashing back to his childhood and the legacy of his elite Manchu Catholic family. An internationa...(展开全部)

Review "A gem, not to be missed by any student of Chinese culture or politics. . . . The passages on prison are among the most detailed and vivid we have in the literature. And throughout the volume there is a refreshing bluntness. . . . Voices Carry has been a major project for Conceison, a labor of love, persistence, and understanding. She has gone to great lengths to offer c...(展开全部)

（美）卡森·埃利斯（Carson Ellis） 美国插画家。1975年10月5日出生于加拿大温哥华，毕业于蒙大拿大学，现居住于美国俄勒冈州波特兰市。卡森·埃利斯曾为《荒野丛林》《作曲家已死》等多部作品绘制插图，并于2010年获得插画家协会银奖。她善于将现代、民族与想象等各种元素结合在一起，作品细节丰富、极具意味，有着很高的辨识度。

简介：“来吧凯特，来到我的怀里吧。”“你要选择什么呢，是拯救家人，还是自己逃跑？” 对于一个13岁的小女孩，独自一个人面临“诅咒”，是可怕的，而这次意外除了她，所有人都不知道，无数次轮回，无数次选择，不同的结局，她心中这个秘密，究竟如何选择？

'Home' is a significant geographical and social concept. It is not only a three-dimensional structure, a shelter, but it is also a matrix of social relations and has wide symbolic and ideological meanings; home can be feelings of belonging or of alienation; feelings of home can be stretched across the world, connected to a nation or attached to a house; the spaces and imaginari...(展开全部)

'Home' is a significant geographical and social concept. It is not only a three-dimensional structure, a shelter, but it is also a matrix of social relations and has wide symbolic and ideological meanings; home can be feelings of belonging or of alienation; feelings of home can be stretched across the world, connected to a nation or attached to a house; the spaces and imaginari...(展开全部)

Eve Bunting addresses the social issue of the elderly or unwell grandparents and how even a child can offer real consolation to them.

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

简介：“我们这不是变异，我们不是怪物！这是进化……”“进化……吗？”“跟我走吧，一起去寻找和我们一样的人，人类，是永远不会待见我们的。”“好……我跟你走！”————————————“喂，也有不会伤害人类的怪物啊！”“那有不会伤害怪物的人类吗？”————————————“车贤秀，来，说出你的欲望吧……然后幸福的留在这里……”“我的欲望是……看卡塔·琪利亚的最终章啊！”

雪瑞孟德森，律师兼教授，因为对家务事的热情并乐于享受家务事带来的舒适感受，进而专研家事，巨细靡遗考察家事细节，搜集并研读各种新旧家事手册，再加上自身对居家生活的种种期待与亲身实践，最后写出这本家务界的圣经《家事的抚慰》。 此书一出广受各大媒体和读者盛赞，甚至获得《食物与厨艺》作者哈洛德马基的推崇，最后更一跃成为家务界的经典畅销书。 作者6岁就会用别针帮婴儿包尿布，9岁就会料理早餐，用鸡蛋、培根、吐司和咖啡喂饱一大家子以及农场工人。日后成为哈佛法学博士，但从小认定做家事是可敬的事，认为人生最大的圆满就是有一天能打理属于自己的家。 与第一任丈夫离异是因为对家的期待不一致，第二任丈夫则愿意与她一起以家事来认同并创造自己的家。